Walter Hood Fitch was born in Glasgow in 1817. By the age of 13 he was employed as an apprentice pattern drawer at a mill. He took to botanical illustration following a meeting with William Jackson Hooker, who was so impressed by young Fitch’s artistic talents that he bought him out of his apprenticeship. Fitch went on to be an exceptionally prolific botanical illustrator, with over 12,000 of his images seeing publication.Image by Fitch of a rhododendron, from Curtis’ Botanical Magazine.
Walter Hood Fitch’s prolific contribution to Curtis’ Botanical Magazine is the endeavour for which he is most often remembered. In the years that he worked at Kew, Fitch contributed over 2,700 illustrations to the magazine. The images in Curtis’ Botanical Magazine are chromolithographs (pictures printed in colour from a series of lithographic stones or plates). Included here are some of the many prints Fitch contributed to the magazine.Another of Fitch’s pieces for Curtis’ Botanical Magazine.
Fitch’s botanical engravings were incredibly precise and therefore valuable both scientifically and aesthetically. In the days before photography botanists relied on illustrations to help with plant identification – and due to the level of detail captured by an illustration, botanists still use illustrations to aid them with plant identification. Fitch’s artistic talents led to him becoming the principle artist for Curtis’ Botanical Magazine for over forty years.A page of woodcuts from Illustrations of British Flora.
As well as his vast contribution to Curtis’ Botanical Magazine, Fitch’s artistic talents, coupled with his close relationship with Hooker, meant that he was effectively the sole illustrator for Kew publications until 1877. One of the well-known works for which he produced images was Illustrations of British Flora, which contained numerous woodblocks of plants and constituted an illustrated companion to George Bentham’s Handbook of British Flora.Illustration by Fitch of Victoria regia (now re-named Victoria amazonica).
Another impressive work illustrated by Fitch is the luxury volume Victoria Regia, which depicts a number of examples of the plant Victoria regia, now known as Victoria amazonica. These water lilies are impressive specimens, with flowers often measuring more than three metres in diameter and stalks around eight metres long. They are said to be strong enough to hold the weight of a child! The images in Fitch’s work are primarily drawn from plants cultivated at Kew – a tradition that carries on in the Gardens to this day.
As well as illustrating botanical works intended for publication, we have at least one example of Fitch illustrating a piece of private correspondence for Hooker. Kew’s archives holds a copy of a letter written by William Jackson Hooker to Dawson Turner on the occasion of the death of John Russell, 6th Duke of Bedford. The letter is concerned with late Duke’s personal merits and his contributions to botany. The title page states that it is intended ‘only for private distribution’ – meaning it was not intended for publication. The frontispiece of the letter is a hand-coloured engraving by Fitch of Bedfordia salicina – the genus which had been named in honour of the 6th Duke. Here at Kew we are currently in the process of digitising Joseph Hooker’s correspondence, and many of his letters are now available to view online.A watercolour painting by Fitch of the Thames near Kew.
In addition to his botanical illustrations, Fitch produced a number of engravings and watercolours of landscapes, which we are lucky to hold here at Kew today. Among these is the above watercolour of the Thames. As well as being beautifully executed and showing that Fitch’s talents extended beyond botany, these pictures offer an interesting glimpse into what west London was like then.Illustration by Fitch of Nymphaea devoniensis.
Fitch ended his time working for both Kew and Curtis’ Botanical Magazine in 1877 following a disagreement with Hooker about pay. Both men are known to have expressed regret in later life that the rift between them was never mended. However, much of Fitch’s art remains at Kew. His prodigious talents as an artist and his contribution to botany deserve to be remembered.
- Francesca Railton -
(Library Graduate Trainee)
Bentham, George (1835). Handbook of the British Flora. London.
Fitch, Walter Hood (1880). Illustrations of the British Flora. London.
Fitch, Walter Hood (1851). Victoria Regia. London.
Lewis, Jan (1992). Walter Hood Fitch: a Celebration. London.