Autumn: the best time of year

By: Philip Smith - 15/09/2011


International Garden Photographer of the Year's Philip Smith considers why autumn is such a good time to photograph gardens, plants and trees - and how to get the best out of the season's atmosphere.

  •  
  • Close Thanks for liking this page. Tell us why by adding a comment at the bottom.

Early this morning a Dipper was singing on the stream below our garden – they usually appear here much later in the winter -  so this was a very prompt announcement that autumn is well on its way. And yes, the Liquidambar tree has just started to get its orange tinges.

One of my first professional assignments included photographing a beautiful Liquidambar tree in October on a sunny morning – I remember vividly the thrilling contrast between the bright blue sky and russet leaves.

Light fantastic

Autumn in our northern latitudes is a wonderful time for photography. For one thing, you don’t have to get up so early in the morning to take advantage of early morning light. And what a light it is, with a crispness that is really exhilarating, especially when glinting on dew-laden flowers.

You can look for opportunities to back-light your subject – where the sun is in front of the camera - and create wonderfully atmospheric shots.

Chatsworth House (Image: Matthew Bullen - finalist IGPOTY 2008)
Chatsworth House (Image: Matthew Bullen - finalist IGPOTY 2008)


When you are out photographing – always look for where the sun is. I often stand still and just turn a complete circle – observing how the light is affecting the scene from different angles.

When a subject is lit from behind, the camera probably cannot cope with the wide range of contrast, and so it will make the front of the subject - the surface with no direct sun on it – much darker and more shadowy than it appears in real life. You can use a white reflector to bounce light back into the subject and this will ‘lift’ the shadows and give you more detail. Some people use flash to do this job – but I always find this too harsh even on the low settings, and I prefer the control and subtlety of reflectors.
 

Schizostylis flowers (Image: Philip Smith)
Schizostylis (Image: Philip Smith)

This plant was photographed with the sun in front of the camera and against a dark background (pond water). It needed a white reflector to get detail back into the blooms. Without a reflector, the shadows on the petals would have become hard and 'blocky' - losing the delicacy of the shot.

Wonderful colour

But in the autumn, it’s really colour we are after. And not just tree foliage – at this time of year the garden is full of reds, oranges and yellows, with Crocosmia, Heleniums, and Schizostylis. This colour range always looks great when contrasted with the deep greens of late summer foliage.
 

Bee on Helenium flower
Bee on Helenium; don't forget insects are busy on warm autumn days - and often a little 'sleepy' -so easier to snap! (Image: Philip Smith)
 

Wakehurst Place is a great venue for leaf colour. Keep an eye on the Kew website to see when the trees are at their best. The IGPOTY exhibiton will be there this October in the Millennium Seed Bank.

Other top tips

Keep an eye on the weather forecasts, and be ready to go out when conditions are right. Mist and even fog can give you some great shots. When it’s misty, be careful of your exposures as underexposure is quite common - as mist is so reflective it can trick your metering – just like with snow scenes. I use the histogram on my camera to check exposure, exposing to the right as far as possible without blowing highlights.

When you are photographing trees it’s often difficult to know how to frame the composition. Look for strong branch shapes and build the composition around that. Don’t be tempted to ‘squeeze’ the whole tree in unless it is part of a broad landscape. Pick out a part of the tree and work with that – or even a single leaf or twig.

Autumn Leaf
Autumn Leaf (Image: Olegas Kurasovas - IGPOTY winner 4Seasons autumn category)

Remember that the effect of strong colours is to dominate the image - so handle with care. If your subject is – say, a sculpture with subtle greys and browns, don’t compose it next to a blazing autumnal tree – it will get visually lost.

I am leading a one day workshop at Wakehurst Place on 20 October where we will be looking further into autumn photography - especially trees and colour.  Full details can be found here on the website.

You can find out more about IGPOTY's autumn category this year, and the whole competition here. DEADLINE FOR ENTRIES November 30th.

- Philip -



4 comments on 'Autumn: the best time of year'

pablo slater says

29/03/2012 7:17:13 AM | Report abuse

Autumn is best or photography and the challenge is how to capture and preserve the unique quality of the various natural colors of of different things.


Ken Burrows, Australia says

07/10/2011 10:09:55 PM | Report abuse

This is the most useful article on plant photography I have read. As a native Australian plant fan, I photograph detailed seasonal development of wildflowers – this article addresses some of the real issues confronting plant photography – keep them coming please.


Wolfgang Buddrus says

07/10/2011 4:02:56 PM | Report abuse

Not many professional photographers can explain their experience intelligibly, Philip Smith can. His words lead me back to the principles. Thanks.


Nicola Albon says

25/09/2011 6:09:08 PM | Report abuse

Thank you for the tips on using a white reflector rather than flash and about the danger of underexposing when photographing mist. And great advice on photographing trees. It is tempting to try to get the whole tree in just because it's there.


About Philip Smith

Philip Smith with his camera

Philip Smith is a professional photographer specialising in gardens and plants with 15 years’ experience. His photography has featured in many magazines and books including The English Garden, The Garden (RHS) , and Gardeners’ World. His work has also featured in exhibitions at Kew Gardens and the Royal Horticultural Society at Wisley and London.

As co-founder and Managing Director of the International Garden Photographer of the Year Philip is responsible for the world’s premier competition in the field, which culminates in an annual exhibition at Kew Gardens and other venues. Philip is the author of Better Plant and Garden Photography.

  • If you would like to publish material from this blog in a separate publication, please get in touch with Kew’s Press Office at pr@kew.org. See our full Terms & Conditions here.

Follow Kew

Keep up to date with events and news from Kew

View this blog
See your favourite reasons to visit